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Please try again later. Kenneth Yasuda is the author of this book originally published in that continued in print through at least 12 printings. The copy I received was published in and it as pertinent to the understanding of the haiku poetic style as it was when it was printed. This book provides a comprehensive discussion of haiku not only explaining it but presenting a variety of authoritative opinions representative of both Eastern and Western thought.
It provides an in-depth analysis of this art form. If you are interested in learning more about haiku from a historical Japanese perspective this book provides the information as to how haiku evolved. Early haiku poets are introduced to the reader and their writing style and the progression of their work is both highlighted and discussed. It also discusses the possibilities for poets wishing to explore haiku in English. The last several pages in the vook are devoted to selected haiku experiments in English for the reader's pleasure The book has a nice index and bibliography and chapter notes listing.
I purchased it for my haiku library in an effort to improve my haiku poetry. In order to "do" a thing you must first "learn" how to do it and when it comes to haiku I want to do it well. This book is one I credit with achieving my goal. Kindle Edition Verified Purchase. Kenneth Yasuda's Japanese Haiku is a frustrating but indispensable resource for the haiku enthusiast or anyone with an academic interest in the subject.
The first half of the book covers the essence of haiku.
Yasuda explains the poetic form as a syllable, 3-line depiction of nature that can be uttered within one breath and exudes a seasonal theme. Such a poem eschews sentimentality, commentary, metaphor, simile, and personification; it captures a moment in time, wonders at the moment, and leaves the reader to grasp any correlation between nature and human nature man is, after all, a part of the natural world.
While largely accurate, there are many issues with the book.
Japanese Haiku: Its Essential Nature, History, and Possibilities in English [ Kenneth Yasuda] on uzotoqadoh.tk *FREE* shipping on qualifying offers. The best. This is the most authoritative and concise book on Japanese haiku available: what it is, how it developed, and how it is practiced in both Japanese and English .
To say that Japanese haiku were typically comprised of 3 lines of 5, 7, and 5 syllables is incorrect. First of all, haiku were traditionally written in one vertical line with implied rhythmic divisions. Second, Japanese haiku were concerned with "on" or "onji" , not syllables.
English-speaking linguists equate "on" to morae. Most haiku were 17 morae long, which might be said to amount to roughly 12 English syllables on average.
These distinctions are glossed over in the book, and the reader is led to confuse English haiku theory with Japanese theory. Furthermore, the author is compelled to use end rhymes on the first and last lines of the haiku he translates, though he freely admits a good while later in the book that rhyme was not a conceptualized part of Japanese poetry.
This appears to be a book on Japanese haiku, yet there are no Japanese poems in this book. That is, the reader is not given the original characters, or even just romaji, for the translations that the author provides. This is problematic, especially when it seems that the author is talking about Japanese poems but in reality he is only talking about haiku in English.
There is a decent amount of insight into the nature of haiku, but for all the wading you have to do to reach it, newcomers would be much better off skipping the first half of the book and reading Zen and Japanese Culture Suzuki plus The Haiku Handbook Higginson. But do come back for the second half. The second half of the book provides an excellent back history to haiku. It also does not explain kireji "cutting words" or note exactly how and when the poetry came to be called haiku. Still, it's a fascinating read, and it's a researcher's delight considering all the resources mentioned and later listed in a bibliography.
The book is dry, often convoluted, littered with last names that you will only know if you have an academic interest in poetry or aesthetics, and it's certainly dated, but this is all to be expected of a doctoral thesis published in the s. It cannot be denied that Yasuda has written a heavily-researched classic, so check this out if you have more than a passing interest in haiku. This is the finest study of the poetry form since Blyth, with a remarkable breadth of learning--Yasuda knows his poetry, and makes this difficult subject clear and accessible.
One person found this helpful. Clear and informative, Yasuda echos the compactness of the Haiku in his prose about this poetry form. Particularly helpful for the western reader in understanding the nuanced complexity of the Haiku.
Clearly written, comprehensive, obviously authoratative. Yasuda does an extremely nice job for readers of all levels.
But for me, a beginner, this book was clear, concise, informative, and illuminating. The first is a discussion on what a haiku should be, and d I was given this by my sister and her husband after my various attempts at haiku on Twitter. The first is a discussion on what a haiku should be, and discusses ideas about zen experience in poetry form, the idea that a haiku represents a single breath, and the notion that the haiku should give you, as the reader, a complete sense of what, when, and where. The middle section deals with the rhythm and why it may actually be essential, and how the haiku developed.
This was a bit of a slog, as reference to poetry timing terms is completely lost on me, and I always get mixed up between hokku, renga, and so on. Still, very interesting in terms of Japanese history and the emphasis placed on poetry in society. Tales of haiku competition being organised, with 3, poems being written against each other, were fairly other-worldly. The last part then elaborates on the use of the seasonal element, and is well worth a read as it's worth getting a deeper insight into what this should entail, along with how it's been used over the last thousand years or so.
As haiku develop in pace with the world, but also as they get taken up with some misunderstanding and simplicity in the West, this is a pretty fascinating book, and offers some excellent advice and perspectives for those looking to understand what a haiku is, beyond its simple rhythm. Oct 25, Justin rated it it was ok.
This book was very informative, but it was a little overkill for me. I learned a lot about haiku and some other kinds of Japanese poetry that I had never heard of, but a lot of the stuff to fill in the spaces seemed like filler. There were tons of quotes through the book and it was difficult if it were the author writing or him quoting someone. I guess this book was originally a doctoral thesis that was put into a book. After learning more about haiku I really have begun starting to enjoy them.
I liked the section in the end where the author added a lot of different haiku. Alan Summers rated it it was ok Nov 01, Afi rated it liked it Sep 22, Christine Klocek-Lim rated it liked it Feb 11, Michael rated it liked it Apr 14, Mark Heathcote rated it really liked it Nov 18, The Shire rated it it was amazing Dec 30, David rated it liked it Dec 06, Hanna rated it it was amazing Jan 02, Carol rated it really liked it May 14, Norman rated it liked it Jul 28, Marcy rated it it was ok Nov 13, Hannah Brome rated it liked it May 03, Fiona rated it really liked it Nov 20, Mark Hollingsworth rated it liked it May 08, Deda Sraya rated it it was amazing Aug 18, Alfonso Ramirez rated it really liked it Oct 13, Stephanie rated it liked it Jun 01, Todd added it Aug 13, Derek is currently reading it Jun 16, Birgit added it Aug 10, Stef marked it as to-read Nov 17, Greg marked it as to-read Oct 20, Jon added it May 11, Allison added it Feb 26, Vikk Simmons added it May 22, Detta Friday marked it as to-read Dec 18, Julie Dunn Shedd marked it as to-read Apr 03, Andrew added it Jul 05, Diandra Rodriguez added it Nov 12, David Anderegg marked it as to-read Dec 11,